Pen with black and gray ink, washed in black and gray. Inscribed in pencil Schizzo per / Sapho. The drawing is inserted in a passe-partout that covers part of the sheet, ca. 200 x 140 mm. Inscribed in pencil on the passe-partout All'amico carissimo C. Branca / p. 48.
Luigi Rossi was born in Cassarate, Lugano. Having studied at the Brera Academy of Fine Arts under the guidance of Giuseppe Bertini, Rossi made his artistic debut in 1871, inaugurating a repertoire of genre scenes with a subtle vein of social criticism that was to be a distinctive feature of his work. His repertoire then broadened during the 1880s to include mountain landscapes painted en plein air, scenes of peasant life and portraits. The period from 1885 to 1888 was spent in Paris, where he also worked a great deal as an illustrator for Alphonse Daudet and Pierre Loti in particular. Having returned to Milan, he came into contact with the poet Gian Pietro Lucini, a meeting that marks a turning point also in his work as a painter. This led to some of his most celebrated canvases, which are still solidly realistic but informed by the new Symbolist approach. A regular participant in the major Italian and international events with paintings and watercolours, he held a solo show at the Galleria Pesaro, Milan, in 1921. He died in Biolda, Lugano. His death was commemorated with two posthumous shows, one at the Società per le Belle Arti ed Esposizione Permanente in Milan and the other at Villa Ciani, Lugano, in 1924. Today the Casa Museo Luigi Rossi exhibits the works of the artist in Tesserete.