Mattia Jona, Master Drawings and Prints, Japanese Prints - Piazzetta Guastalla 5, 20122 Milan, Italy, tel (+39) 02 8053315

Luigi Bonazza, seated male nude seen from the rear


Black chalk, heightened with white, on brown paper. Signed and dated at the bottom right corner Bonazza / 1951; 380 x 305 mm. The inspiration for this drawing comes from the seated male figure in Bonazza's painting Notturno, which was exhibited in 1926 in Bolzano at the III Biennale d'Arte della Venezia Tridentina.
This drawing was exhibited in Trento and Vienna; see Luigi Bonazza (1877 - 1965), exhibition catalogue, Trento-Vienna, 1985, cat. no. 332, illustrated.

A pupil of Luigi Comel at the Scuola Reale Elisabettiana in Rovereto, Luigi Bonazza moved to Vienna in 1897, where he enrolled at the Kunstgewerbeschhule. There he studied painting with Felician von Myrbach and Franz von Matsch, absorbing the culture of the two Secessions. In Vienna Bonazza began to practice engraving, experiencing the technique of mezzotint on steel. His most successful set of prints was Jovis Amores (1906/1910), a series of ten prints devoted to the lovers and the metamorphoses of Juppiter. Bonazza returned to Trento in 1912, where he was a cofounder of the Circolo Artistico Trentino. To avoid serving in the Austro-Hungarian Army, he fled to Italy, living in Vizzola Ticino, near Milan. During this period he created watercolors and prints inspired by aviation, for Gianni Caproni, the producer of airplanes. In 1918 Bonazza returned to Trento, where, between 1932 and 1933, he decorated the Palazzo delle Poste. See Luigi Bonazza (1877 - 1965), exhibition catalogue, Trento-Vienna, 1985. See also A. Tiddia, Mito e allegoria nell'opera di Bonazza, Ratini, Disertori, exhibition catalogue, Trento, 2004.

price: 3.600,00 euros

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